ASSIST
News Service (ANS) --
PO Box 2126, Garden Grove, CA 92842-2126 USA
E-mail: assistcomm@cs.com, Web Site:
www.assistnews.net
November 21, 2001
EXCESSIVE PAGANISM EXALTED -- HARRY POTTER AND THE SORCERER'S STONE
By Dr. Ted Baehr, founder and publisher of MOVIEGUIDE®
Special to ASSIST News Service
HOLLYWOOD, CA (ANS) -- HARRY POTTER AND THE SORCERER'S STONE has a
lot of hype surrounding it, but the hype is somewhat deserved, because the book
and its sequels have sold millions of copies. Even so, however, parents and
children need to know the dangers that this cultural phenomenon poses.
The story of HARRY POTTER begins with little Harry Potter's parents being killed
by the evil wizard Voldemort. Voldemort tries to put a powerful curse on the
baby Harry but fails because the baby apparently has some powerful natural magic
of its own. Voldemort disappears, and Professor Dumbledore (played by Richard
Harris), the Headmaster of Hogwarts School of Witchcraft and Wizardry, drops the
baby at the house of Harry's non-magical aunt and uncle, Petunia and Vernon
Dursley.
Ten years later, after being teased and abused by the Dursley's and their little
obnoxious boy Dudley, Harry receives a special invitation to attend Hogwarts.
The nasty Mr. Dursley tries to stop Harry from going, but the big, hairy
groundskeeper from Hogwarts, Hagrid (played marvelously by Robbie Coltrane),
stops him and takes Harry away. Hagrid introduces Harry to the goblin bank
where his parents kept their money. Harry gets some money and some school
supplies, then he's off to the train at Platform Nine and Three-Quarters, which
will take him to Hogwarts. Before Harry goes, however, Hagrid takes a mysterious
small package out of one of the goblin vaults.
At Hogwarts, Harry becomes friends with two other first-year children, Ron and
Hermoine. They are all assigned to the same house, Gryffindor, one of four
dormitories that will compete for the House Cup based on points. The three
children undergo a series of adventures, not the least of which is an encounter
with a 12-foot-troll. They disobey orders and find themselves exploring various
parts of the labyrinthine Hogwarts. Meanwhile, Harry finds he has an aptitude
for quidditch, which is sort of a rugby-style game played on flying broomsticks.
During Harry's first match, it looks as if one of the teachers at the school,
the dark, mysterious Professor Snape, tries to knock Harry off his broomstick, a
plot that Hermoine foils.
Eventually, Harry, Hermoine and Ron discover where Hagrid and Professor
Dumbledore have hidden the mysterious package from the goblin bank. It turns out
to be the infamous sorcerer's stone, whose spell brings immortality and converts
items into gold. This turns out to be just what the evil Voldemort needs to
bring himself back to life in another body. Harry and his two friends suspect
that Professor Snape is trying to steal the stone. When Dumbledore is
suspiciously called away to London, Harry and his two friends try to get the
stone before Snape does.
The production values in HARRY POTTER AND THE SORCERER'S STONE are
excellent and state-of-the-art. The movie almost perfectly depicts the fantasy
elements from the book. The set designs in this movie are visual treats. The
special effects are also terrific, especially a 12-foot-troll that invades the
school and the exciting quidditch game.
The three young actors portraying Harry, Ron and Hermoine do a wonderful job.
Daniel Radcliffe fits the role of Harry like a glove. Director Chris Columbus
creatively uses the boy's subtle ability to express emotions, which keeps
viewers interested. Emma Watson as Hermoine and Rupert Grint as Ron are also
delightful. Among the adult actors, Richard Harris, Maggie Smith, John Hurt, and
especially Alan Rickman as Dumbledore, Professor McGonagal, Mr. Ollivander, and
Professor Snape are particularly noteworthy.
The production problems with the movie are virtually the same problems with the
book. Despite the care in which the fantasy elements and the characters are
handled, the book and the movie have little sense of plotting. There are several
digressions in the middle of the story, which take away from the plot involving
Harry, the villain Voldemort and the sorcerer's stone. The story finally gets
back on track toward the end, but by then, it's almost worn out its welcome.
HARRY POTTER AND THE SORCERER'S STONE also suffers from the fact that we
never really see much of the main villain, Voldemort, though there is a lot of
talk regarding him.
Of course, theologically and morally, the occult, pagan worldview of HARRY
POTTER AND THE SORCERER'S STONE is abhorrent. When the occult magic fails,
what does a witch or wizard do? To whom can they turn? Who's ultimately in
charge? Parents should ask their children these and other questions, because
occult magic represents an unhealthy, selfish desire to replace God and to
reject the Gospel of Jesus Christ in favor of a lifestyle that ultimately will
lead to unhappiness and pain.
HARRY POTTER AND THE SORCERER'S STONE also offers viewers a works
theology, a form of elitism where those who are most successful at doing magic
are the best. Witchcraft is a selfish, elitist form of Gnosticism, an evil
theology of secret, esoteric knowledge. Mitigating this works theology are the
movie's theme about love and sacrifice, its rejection of false immortality, and
its warning about not getting lost in false dreams and desires. Regrettably,
however, the movie's occult, pagan worldview also rewards the children for
disobeying the school rules at Hogwarts and lying about it. Furthermore, the
story gives a wink and a nod at the fact that no one can keep a secret among the
witches and wizards because of all the gossip. Are these messages something you
want to teach your children? We think not.
The bottom line, however, is that God abhors witchcraft no matter how sweet and
subtle it is:
"There shall not be found among you any one that maketh his son or his daughter
to pass through the fire, or that useth divination, or an observer of times, or
an enchanter, or a witch, or a charmer, or a consulter with familiar spirits, or
a wizard, or a necromancer."
Note: THE TROUBLE WITH HARRY: A Parent's Guide to HARRY POTTER AND THE
SORCERER'S STONE
MOVIEGUIDE®: A Family Guide to
Movies and Entertainment has developed a parent's guide to this phenomenon.
Instead of simply bashing the movie, we will provide parents with a positive
approach to the topic that will provide their children with the tools they need
to become media-wise, literate moviegoers, readers and television viewers.
Please call MOVIEGUIDE® at
1-800-599-6684 or (805) 383-2000 for a copy of THE TROUBLE WITH HARRY: A
Parent's Guide to HARRY POTTER AND THE SORCERER'S STONE. It can also be
ordered at movieguide@compuserve.com.
____________________________________________________
Note to Press: Dr. Ted Baehr, is available for interviews on this issue. An
experienced scholar and television/radio personality with more than 20 years of
knowledge and experience in the field of media literacy and theology, he can
give readers, viewers and listeners an intelligent, provocative perspective from
a Christian point of view. Call (770) 825-0084 to set up an interview or for
more details.
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